“They have long been famed for their love of lavish banquets and rich
recipes. But what is less well known is that the British royals also had
a taste for human flesh.” Two 2011 books on medicinal cannibalism (or
blood medicine) have revealed that British royalty routinely swallowed
parts of the human body.
One of the authors, Dr Richard Sugg at Durham University, added that
this was not a practice reserved for monarchs but was widespread among
the well-to-do in Europe:
“One thing we are rarely taught at school yet is evidenced in literary
and historic texts of the time is this: James I refused corpse medicine;
Charles II made his own corpse medicine; and Charles I was made into
corpse medicine.”
“Along with Charles II, eminent users or prescribers included Francis I,
Elizabeth I’s surgeon John Banister, Elizabeth Grey, Countess of Kent,
Robert Boyle, Thomas Willis, William III, and Queen Mary.” (Fiona
Macrae, “British royalty dined on human flesh,” Daily Mail, May 20,
2011)
While corpse medicine has been presented as a medieval therapy, it was
at its height in the social and scientific revolutions of early-modern
Britain (up to the 20th century).
“Some way into the 19th century, crowds still jostled beneath the
execution scaffold in parts of Denmark, cups raised to catch the
precious drops of warm blood as it spilled from the dying body of the
felon above. These people were hoping to cure their epilepsy. Their
belief ran back almost 2000 years, to the Rome of the physician Celsus,
where patients would gain this quintessential fluid from the bodies of
wounded gladiators.”
The use of cannibalistic blood medicine was “corpse pharmacology,” but
health-giving vampirism was by no means limited to folk medicine. “There
were few vocal opponents of the practice, even though cannibalism in
the newly explored Americas was reviled as a mark of savagery. Mummies
were stolen from Egyptian tombs, and skulls were taken from Irish burial
sites. Gravediggers robbed and sold body parts.”
Both Queen Mary II and her uncle King Charles II took distilled human
skull on their deathbeds in 1698 and 1685 respectively, according to Dr
Sugg.
“The Italian Renaissance scholar, Marsilio Ficino (himself the son of a
physician) had recommended that human blood could act not just as a
specific curative, but as a kind of elixir of life. The elderly might,
he suggested, restore their vitality by sucking directly from a vein in
the arm of some healthy youth. Towards the end of the 17th century, we
find a Franciscan monk making a kind of jam or marmalade from human
blood (‘stir it to a batter with a knife…pound it…through a sieve of
finest silk’).” (Richard Sugg, “Corpse medicine: mummies, cannibals, and
vampires,” The Lancet, June 21, 2008)
(Lecturer at the University of New England) Louise Noble’s book,
“Medicinal Cannibalism in Early Modern English Literature and Culture,”
and the book by Richard Sugg (of the University of Durham), “Mummies,
Cannibals and Vampires: The History of Corpse Medicine from the
Renaissance to the Victorians,” both reveal that “for several hundred
years, peaking in the 16th and 17th centuries, many Europeans, including
royalty, priests and scientists, routinely ingested remedies containing
human bones, blood and fat as medicine for everything from headaches to
epilepsy.”
“Even as they denounced the barbaric cannibals of the New World, they
applied, drank, or wore powdered Egyptian mummy, human fat, flesh, bone,
blood, brains and skin.”
“As science strode forward, however, cannibal remedies died out. The
practice dwindled in the 18th century, around the time Europeans began
regularly using forks for eating and soap for bathing. But Sugg found
some late examples of corpse medicine: In 1847, an Englishman was
advised to mix the skull of a young woman with treacle (molasses) and
feed it to his daughter to cure her epilepsy. (He obtained the compound
and administered it, as Sugg writes, but ‘allegedly without effect.’) A
belief that a magical candle made from human fat, called a ‘thieves
candle,’ could stupefy and paralyze a person lasted into the 1880s.
Mummy was sold as medicine in a German medical catalog at the beginning
of the 20th century. And in 1908, a last known attempt was made in
Germany to swallow blood at the scaffold.” (Maria Dolan, “The Gruesome
History of Eating Corpses as Medicine: The question was not ‘Should you
eat human flesh?’ says one historian, but, ‘What sort of flesh should
you eat?’” Smithsonian, May 7, 2012)
In August 2012, the University of Leicester began a search for the
remains of King Richard III of England. In September the excavators
announced that they had found a human skeleton beneath a Leicester
parking lot. On February 4, 2013, the University confirmed that the
skeleton was beyond a doubt that of King Richard. This proof was based
on mitochondrial DNA evidence.
“While digging up the bones of Richard III, who was born in 1452 and
ruled England from 1483 to 1485, scientists took soil samples from
within the grave. They then looked for evidence of parasites in order to
better understand his health and diet. Within the soil where the king’s
pelvis once rested, they found a large number of ancient eggs from
roundworms (Ascaris lumbricoides). As a control, they also took a soil
sample from inside Richard III’s skull and from the grave outside the
bounds of the body. They found no eggs in the skull sample, and only a
small number — 15 times fewer eggs — in that soil, suggesting a
background level of contamination from sewage, said Piers Mitchell, a
physician and biological anthropologist at the University of Cambridge.”
“‘I would say this is 100 percent proof that he had a roundworm
infection,’ because there ‘is no other explanation’ for the large amount
of roundworms found where his intestines once lay, Mitchell told
LiveScience. A study detailing the finding was published in the journal
The Lancet.” (Douglas Main, “Richard III Had Roundworm Infection, New
Study Of King’s Skeleton Suggests,” LiveScience, September 4, 2013)
It’s unclear how much the parasite “wyrm” illness may have affected King
Richard, who was said to be an unfeeling and power-hungry man, Mitchell
said. Were British royals perhaps the guinea pigs of careless
physicians trying to create a “master race monarchy” with their cannibal
remedies?
In 2011, the Romanian tourist board released a video of the Prince of
Wales (Prince Charles) publicly claiming that he is a descendant of Vlad
the Impaler or Vlad Tepes, more popularly known as Count Dracula. (The
name of the vampire Count Dracula is from Bram Stoker’s novel.)
“The Prince himself appears in a video being used to promote the country
in which he claims distant kinship with Vlad Tepes, the 15th–century
Wallachian ruler on whom the Irish novelist Bram Stoker based his
Dracula.
“‘Transylvania is in my blood,’ he jokes in an interview first shown on
satellite television last year. ‘The genealogy shows I am descended from
Vlad the Impaler, so I do have a bit of a stake in the country.’”
(Victoria Ward and Andrew Hough, “Prince Charles, heir to Dracula’s
blood line,” The Telegraph, November 5, 2012)
“Prince Vlad, or as he was called even in his own time, Dracula (which
means ‘Son of the Dragon’) tops the list of Romania’s many, many
Christian crusaders who, in the transition years between the Middle Ages
and the Renaissance, fought to keep the Muslim-faithed Ottoman Turks
out of their country.”
“Still, Dracula was not a saint. He ruled his military kingdom of
Wallachia — southern Romania — with a heavy and blood-soaked fist. To
not only the Turks but also to many of his own countrymen he was Vlad
The Impaler, Vlad Die Tepes (pronounced Tee-pish). Determined not to be
overtaken by the intrigue of an intriguing political underhandedness, in
a world in which princes fell daily to smiling, hypocritical ‘allies,’
paranoia among the aristocracy was, and probably needed to be, utmost in
a sovereign’s disposition. Dracula built a defense around him that
dared not open kindness nor trust to anyone. During his tenure, he
killed by the droves, impaling on a forest of spikes around his castle
thousands of subjects who he saw as either traitors, would-be traitors
or enemies to the security of Romania and the Roman Catholic Church.
Sometimes, he slew merely to show other possible insurgents and
criminals just what their fate would be if they became troublesome.”
(Joseph Geringer, “Vlad the Impaler,” crimelibrary.com)
In the 1890s, Irish author Bram Stoker became acquainted with the
occult-like spiritualist organization called the Hermetic Order of the
Golden Dawn. “Stoker has mistakenly been called a member, but he did
seem to be friends with a few of the members.” E.A. Wallis Budge was
curator of the British Museum, and co-founder William Wynn Wescott was
the London Postmaster.
Aleister Crowley was initiated into the Order of the Golden Dawn in 1898
by Samuel Liddell MacGregor Mathers and climbed up rapidly through the
grades. But in 1900, division shattered the Order when some top members,
including poet W. B. Yeats, became annoyed with Mathers’ leadership, as
well as his growing comradeship with Aleister Crowley. In response, a
general meeting was called in London to remove Mathers as chief and to
expel Mathers and Crowley from the Order.
“Dracula” is Bram Stoker’s 1897 gothic horror novel, well known for
introducing the character of the Transylvanian Count Dracula. The noble
is a vampire who buys a house in London and begins a reign of seduction
and terror.
Bela Lugosi was cinema’s first official Count Dracula (1931). An earlier
adaptation of Bram Stoker’s Dracula was the silent movie, “Nosferatu,”
released in 1922, starring Max Schreck as the vampire. “Nosferatu the
Vampyre” was a 1979 West German vampire horror film by Werner Herzog,
with Klaus Kinski as Count Dracula.
Christopher Lee was also recognized for his role as Count Dracula in a
series of imitative horror films in the 1960s. Francis Ford Coppola
directed an elegant revision of Dracula in 1992 with Gary Oldman, Winona
Ryder and Anthony Hopkins.
Anne Rice is an American author of metaphysical gothic fiction, best
known for her popular series of novels starting in 1976, “The Vampire
Chronicles.” The 2010 Spanish film “La Herencia Valdemar” (The Valdemar
Inheritance) is a gothic Lovecraftian movie with Bram Stoker and
Aleister Crowley as characters.
Source
No comments:
Post a Comment